HARPENDENARTSCLUB
  • home
  • programme 2018/19
  • MEETINGS
  • Membership
    • contact us
  • Our Team
  • Brushstrokes
  • exhibitions
    • 2018 exhibition
    • 2017 exhibition
    • 2016 exhibition
  • members galleries
    • Eileen Bainbridge
    • John Bamford
    • Roy Bentley
    • Bel Bluemel
    • Peter Brown
    • Harry Dobkin
    • Fiona Gaskell
    • Mitzie Green
    • Michele Head
    • Keith Higham
    • Anne Hignell
    • David Jennings
    • Ernest Leahy
    • Terry Mower
    • Teresa Newham
    • Meggie Nikolic
    • Sarah Poppleton
    • Liz Sergeant
  • HINTS AND TIPS
    • Hints & Tips >
      • William Newton demo
      • SETTING UP HAC AV EQUIPMENT
      • TAKING DOWN HAC AV EQUIPMENT
      • DAVID JAMES WATERCOLOUR LANDSCAPE WORKSHOP
      • Watercolour techniques - workshop 1
      • Composition
  • data protection
  • home
  • programme 2018/19
  • MEETINGS
  • Membership
    • contact us
  • Our Team
  • Brushstrokes
  • exhibitions
    • 2018 exhibition
    • 2017 exhibition
    • 2016 exhibition
  • members galleries
    • Eileen Bainbridge
    • John Bamford
    • Roy Bentley
    • Bel Bluemel
    • Peter Brown
    • Harry Dobkin
    • Fiona Gaskell
    • Mitzie Green
    • Michele Head
    • Keith Higham
    • Anne Hignell
    • David Jennings
    • Ernest Leahy
    • Terry Mower
    • Teresa Newham
    • Meggie Nikolic
    • Sarah Poppleton
    • Liz Sergeant
  • HINTS AND TIPS
    • Hints & Tips >
      • William Newton demo
      • SETTING UP HAC AV EQUIPMENT
      • TAKING DOWN HAC AV EQUIPMENT
      • DAVID JAMES WATERCOLOUR LANDSCAPE WORKSHOP
      • Watercolour techniques - workshop 1
      • Composition
  • data protection
  HARPENDENARTSCLUB
FIONA GASKELL
The stimulus for my still life paintings comes from colour. I might see some flowers or a pot that catches my eye and sets me thinking about colour combinations. I then set up a still life and experiment with colours. My inspiration comes from the work of Matisse and the artists who followed in his footsteps. I admire the still life work of the Scottish colourist Samuel Peploe as well as Mary Fedden, and I enjoy the exuberant paintings of Philip Sutton, who regularly exhibits at the Royal Academy’s Summer Exhibition.

I started oil painting in classes led by the artist Linda Smith. I hadn’t drawn or painted for many years despite having enjoyed occasional classes after work before I had children. Now my children are grown up and I no longer work although I volunteer locally which takes up quite a bit of time. So I need to discipline myself to make enough time to paint and to develop my painting. In the future I would like to push the boundaries and move beyond still life perhaps to landscape and abstract work.

www.hvaf.org.uk/fiona-gaskell/gallery
Powered by Create your own unique website with customizable templates.